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The Name of the Wind Paperback – Illustrated, April 7, 2009
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“I just love the world of Patrick Rothfuss.” —Lin-Manuel Miranda
OVER 1 MILLION COPIES SOLD!
DAY ONE: THE NAME OF THE WIND
My name is Kvothe.
I have stolen princesses back from sleeping barrow kings. I burned down the town of Trebon. I have spent the night with Felurian and left with both my sanity and my life. I was expelled from the University at a younger age than most people are allowed in. I tread paths by moonlight that others fear to speak of during day. I have talked to Gods, loved women, and written songs that make the minstrels weep.
You may have heard of me.
So begins a tale unequaled in fantasy literature—the story of a hero told in his own voice. It is a tale of sorrow, a tale of survival, a tale of one man’s search for meaning in his universe, and how that search, and the indomitable will that drove it, gave birth to a legend.
- Print length672 pages
- LanguageEnglish
- PublisherDAW
- Publication dateApril 7, 2009
- Dimensions6 x 1.4 x 8.94 inches
- ISBN-100756405890
- ISBN-13978-0756405892
The chilling story of the abduction of two teenagers, their escape, and the dark secrets that, years later, bring them back to the scene of the crime. | Learn more
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From the Publisher

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The Name of the Wind
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The Name of the Wind
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The Wise Man's Fear
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The Slow Regard of Silent Things
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The Narrow Road Between Desires
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Customer Reviews |
4.9 out of 5 stars 1,963
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4.7 out of 5 stars 84,681
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4.7 out of 5 stars 73,860
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4.3 out of 5 stars 22,927
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4.4 out of 5 stars 4,930
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Price | $20.87$20.87 | $8.40$8.40 | $11.15$11.15 | $9.19$9.19 | $14.23$14.23 |
An instant New York Times, USA Today and Indie Bestseller! | 10th Anniversary Edition | Day One | Day Two | A Kingkiller Novella | A Kingkiller Novella |


Editorial Reviews
Review
“The best epic fantasy I read last year.... He’s bloody good, this Rothfuss guy.” —George R. R. Martin, New York Times-bestselling author of A Song of Ice and Fire
“Rothfuss’Kingkiller books are among the most read and re-read in our home. It’s a world you want to spend lifetimes in, as his many fans will attest.” —Lin-Manuel Miranda, Pulitzer Prize-winning creator of Hamilton
“Rothfuss has real talent, and his tale of Kvothe is deep and intricate and wondrous.” —Terry Brooks, New York Times-bestselling author of Shannara
"It is a rare and great pleasure to find a fantasist writing...with true music in the words." —Ursula K. LeGuin, award-winning author of Earthsea
"The characters are real and the magic is true.” —Robin Hobb, New York Times-bestselling author of Assassin’s Apprentice
"Masterful.... There is a beauty to Pat's writing that defies description." —Brandon Sanderson, New York Times-bestselling author of Mistborn
“[Makes] you think he's inventing the genre, instead of reinventing it.” —Lev Grossman, New York Times-bestselling author of The Magicians
“This is a magnificent book.” —Anne McCaffrey, award-winning author of the Dragonriders of Pern
“The great new fantasy writer we've been waiting for, and this is an astonishing book." —Orson Scott Card, New York Times-bestselling author of Ender’s Game
“It's not the fantasy trappings (as wonderful as they are) that make this novel so good, but what the author has to say about true, common things, about ambition and failure, art, love, and loss.” —Tad Williams, New York Times-bestselling author of Memory, Sorrow, and Thorn
“An extremely immersive story set in a flawlessly constructed world and told extremely well.” —Jo Walton, award-winning author of Among Others
“Hail Patrick Rothfuss! A new giant is striding the land.” —Robert J. Sawyer, award-winning author of Wake
“Fans of the epic high fantasies of George R.R. Martin or J.R.R. Tolkien will definitely want to check out Patrick Rothfuss' The Name of the Wind.” —NPR
“Shelve The Name of the Wind beside The Lord of the Rings...and look forward to the day when it's mentioned in the same breath, perhaps as first among equals.” —The A.V. Club
“Rothfuss (who has already been compared to the likes of Terry Goodkind, Robert Jordan, and George R. R. Martin) is poised to be crowned the new king of epic fantasy.” —Barnes & Noble
“I was reminded of Ursula K. Le Guin, George R. R. Martin, and J. R. R. Tolkien, but never felt that Rothfuss was imitating anyone.” —The London Times
“This fast-moving, vivid, and unpretentious debut roots its coming-of-age fantasy in convincing mythology.” —Entertainment Weekly
“This breathtakingly epic story is heartrending in its intimacy and masterful in its narrative essence.” —Publishers Weekly (starred)
“Reminiscent in scope of Robert Jordan's Wheel of Time series...this masterpiece of storytelling will appeal to lovers of fantasy on a grand scale.” —Library Journal (starred)
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
A Silence of Three Parts
It was night again. The Waystone Inn lay in silence, and it was a silence of three parts.
The most obvious part was a hollow, echoing quiet, made by things that were lacking. If there had been a wind it would have sighed through the trees, set the inn’s sign creaking on its hooks, and brushed the silence down the road like trailing autumn leaves. If there had been a crowd, even a handful of men inside the inn, they would have filled the silence with conversation and laughter, the clatter and clamor one expects from a drinking house during the dark hours of night. If there had been music...but no, of course there was no music. In fact there were none of these things, and so the silence remained.
Inside the Waystone a pair of men huddled at one corner of the bar. They drank with quiet determination, avoiding serious discussions of troubling news. In doing this they added a small, sullen silence to the larger, hollow one. It made an alloy of sorts, a counterpoint.
The third silence was not an easy thing to notice. If you listened for an hour, you might begin to feel it in the wooden floor underfoot and in the rough, splintering barrels behind the bar. It was in the weight of the black stone hearth that held the heat of a long dead fire. It was in the slow back and forth of a white linen cloth rubbing along the grain of the bar. And it was in the hands of the man who stood there, polishing a stretch of mahogany that already gleamed in the lamplight.
The man had true-red hair, red as flame. His eyes were dark and distant, and he moved with the subtle certainty that comes from knowing many things.
The Waystone was his, just as the third silence was his. This was appropriate, as it was the greatest silence of the three, wrapping the others inside itself. It was deep and wide as autumn’s ending. It was heavy as a great river-smooth stone. It was the patient, cut-flower sound of a man who is waiting to die.
CHAPTER ONE
A Place for Demons
It was Felling Night, and the usual crowd had gathered at the Waystone Inn. Five wasn’t much of a crowd, but five was as many as the Waystone ever saw these days, times being what they were.
Old Cob was filling his role as storyteller and advice dispensary. The men at the bar sipped their drinks and listened. In the back room a young innkeeper stood out of sight behind the door, smiling as he listened to the details of a familiar story.
“When he awoke, Taborlin the Great found himself locked in a high tower. They had taken his sword and stripped him of his tools: key, coin, and candle were all gone. But that weren’t even the worst of it, you see...” Cob paused for effect, “...cause the lamps on the wall were burning blue!”
Graham, Jake, and Shep nodded to themselves. The three friends had grown up together, listening to Cob’s stories and ignoring his advice.
Cob peered closely at the newer, more attentive member of his small audience, the smith’s prentice. “Do you know what that meant, boy?” Everyone called the smith’s prentice “boy” despite the fact that he was a hand taller than anyone there. Small towns being what they are, he would most likely remain “boy” until his beard filled out or he bloodied someone’s nose over the matter.
The boy gave a slow nod. “The Chandrian.”
“That’s right,” Cob said approvingly. “The Chandrian. Everyone knows that blue fire is one of their signs. Now he was—”
“But how’d they find him?” the boy interrupted. “And why din’t they kill him when they had the chance?”
“Hush now, you’ll get all the answers before the end,” Jake said. “Just let him tell it.”
“No need for all that, Jake,” Graham said. “Boy’s just curious. Drink your drink.”
“I drank me drink already,” Jake grumbled. “I need t’nother but the innkeep’s still skinning rats in the back room.” He raised his voice and knocked his empty mug hollowly on the top of the mahogany bar. “Hoy! We’re thirsty men in here!”
The innkeeper appeared with five bowls of stew and two warm, round loaves of bread. He pulled more beer for Jake, Shep, and Old Cob, moving with an air of bustling efficiency.
The story was set aside while the men tended to their dinners. Old Cob tucked away his bowl of stew with the predatory efficiency of a lifetime bachelor. The others were still blowing steam off their bowls when he finished the last of his loaf and returned to his story.
“Now Taborlin needed to escape, but when he looked around, he saw his cell had no door. No windows. All around him was nothing but smooth, hard stone. It was a cell no man had ever escaped.
“But Taborlin knew the names of all things, and so all things were his to command. He said to the stone: ‘Break!’ and the stone broke. The wall tore like a piece of paper, and through that hole Taborlin could see the sky and breathe the sweet spring air. He stepped to the edge, looked down, and without a second thought he stepped out into the open air....”
The boy’s eyes went wide. “He didn’t!”
Cob nodded seriously. “So Taborlin fell, but he did not despair. For he knew the name of the wind, and so the wind obeyed him. He spoke to the wind and it cradled and caressed him. It bore him to the ground as gently as a puff of thistledown and set him on his feet softly as a mother’s kiss.
“And when he got to the ground and felt his side where they’d stabbed him, he saw that it weren’t hardly a scratch. Now maybe it was just a piece of luck,” Cob tapped the side of his nose knowingly. “Or maybe it had something to do with the amulet he was wearing under his shirt.”
“What amulet?” the boy asked eagerly through a mouthful of stew.
Old Cob leaned back on his stool, glad for the chance to elaborate. “A few days earlier, Taborlin had met a tinker on the road. And even though Taborlin didn’t have much to eat, he shared his dinner with the old man.”
“Right sensible thing to do,” Graham said quietly to the boy. “Everyone knows: ‘A tinker pays for kindness twice.’”
“No no,” Jake grumbled. “Get it right: ‘A tinker’s advice pays kindness twice.’”
The innkeeper spoke up for the first time that night. “Actually, you’re missing more than half,” he said, standing in the doorway behind the bar.
“A tinker’s debt is always paid:
Once for any simple trade.
Twice for freely-given aid.
Thrice for any insult made.”
The men at the bar seemed almost surprised to see Kote standing there. They’d been coming to the Waystone every Felling night for months and Kote had never interjected anything of his own before. Not that you could expect anything else, really. He’d only been in town for a year or so.
He was still a stranger. The smith’s prentice had lived here since he was eleven, and he was still referred to as “that Rannish boy,” as if Rannish were some foreign country and not a town less than thirty miles away.
“Just something I heard once,” Kote said to fill the silence, obviously embarrassed.
Old Cob nodded before he cleared his throat and launched back into the story. “Now this amulet was worth a whole bucket of gold nobles, but on account of Taborlin’s kindness, the tinker sold it to him for nothing but an iron penny, a copper penny, and a silver penny. It was black as a winter night and cold as ice to touch, but so long as it was round his neck, Taborlin would be safe from the harm of evil things. Demons and such.”
“I’d give a good piece for such a thing these days,” Shep said darkly. He had drunk most and talked least over the course of the evening. Everyone knew that something bad had happened out on his farm last Cendling night, but since they were good friends they knew better than to press him for the details. At least not this early in the evening, not as sober as they were.
“Aye, who wouldn’t?” Old Cob said judiciously, taking a long drink.
“I din’t know the Chandrian were demons,” the boy said. “I’d heard—”
“They ain’t demons,” Jake said firmly. “They were the first six people to refuse Tehlu’s choice of
the path, and he cursed them to wander the corners—”
“Are you telling this story, Jacob Walker?” Cob said sharply. “Cause if you are, I’ll just let you get on with it.”
The two men glared at each other for a long moment. Eventually Jake looked away, muttering something that could, conceivably, have been an apology.
Cob turned back to the boy. “That’s the mystery of the Chandrian,” he explained. “Where do they come from? Where do they go after they’ve done their bloody deeds? Are they men who sold their souls? Demons? Spirits? No one knows.” Cob shot Jake a profoundly disdainful look. “Though every half-wit claims he knows....”
The story fell further into bickering at this point, about the nature of the Chandrian, the signs that showed their presence to the wary, and whether the amulet would protect Taborlin from bandits, or mad dogs, or falling off a horse. Things were getting heated when the front door banged open.
Jake looked over. “It’s about time you got in, Carter. Tell this damn fool the difference between a demon and a dog. Everybody kn—” Jake stopped midsentence and rushed to the door. “God’s body, what happened to you?”
Carter stepped into the light, his face pale and smeared with blood. He clutched an old saddle blanket to his chest. It was an odd, awkward shape, as if it were wrapped around a tangle of kindling sticks.
His friends jumped off their stools and hurried over at the sight of him. “I’m fine,” he said as he made his slow way into the common room. His eyes were wild around the edges, like a skittish horse. “I’m fine. I’m fine.”
He dropped the bundled blanket onto the nearest table where it knocked hard against the wood, as if it were full of stones. His clothes were crisscrossed with long, straight cuts. His grey shirt hung in loose tatters except where it was stuck to his body, stained a dark, sullen red.
Graham tried to ease him into a chair. “Mother of God. Sit down, Carter. What happened to you? Sit down.”
Carter shook his head stubbornly. “I told you, I’m fine. I’m not hurt that bad.”
“How many were there?” Graham said.
“One,” Carter said. “But it’s not what you think—”
“Goddammit. I told you, Carter,” Old Cob burst out with the sort of frightened anger only relatives and close friends can muster. “I told you for months now. You can’t go out alone. Not even as far as Baedn. It ain’t safe.” Jake laid a hand on the old man’s arm, quieting him.
“Just take a sit,” Graham said, still trying to steer Carter into a chair. “Let’s get that shirt off you and get you cleaned up.”
Carter shook his head. “I’m fine. I got cut up a little, but the blood is mostly Nelly’s. It jumped on her. Killed her about two miles outside town, past the Oldstone Bridge.”
A moment of serious silence followed the news. The smith’s prentice laid a sympathetic hand on Carter’s shoulder. “Damn. That’s hard. She was gentle as a lamb, too. Never tried to bite or kick when you brought her in for shoes. Best horse in town. Damn. I’m...” He trailed off. “Damn. I don’t know what to say.” He looked around helplessly.
Cob finally managed to free himself from Jake. “I told you,” he repeated, shaking a finger in Carter’s direction. “There’s folks out lately that would kill you for a pair of pennies, let alone a horse and cart. What are you going to do now? Pull it yourself?”
There was a moment of uncomfortable quiet. Jake and Cob glared at each other while the rest seemed at a loss for words, unsure of how to comfort their friend.
The innkeeper moved carefully through the silence. Arms full, he stepped nimbly around Shep and began to arrange some items on a nearby table: a bowl of hot water, shears, some clean linen, a few glass bottles, needle and gut.
“This never would have happened if he’d listened to me in the first place,” Old Cob muttered. Jake tried to quiet him, but Cob brushed him aside. “I’m just tellin’ the truth. It’s a damn shame about Nelly, but he better listen now or he’ll end up dead. You don’t get lucky twice with those sort of men.”
Carter’s mouth made a thin line. He reached out and pulled the edge of the bloody blanket. Whatever was inside flipped over once and snagged on the cloth. Carter tugged harder and there was a clatter like a bag of flat river stones upended onto the tabletop.
It was a spider as large as a wagon wheel, black as slate.
The smith’s prentice jumped backward and hit a table, knocking it over and almost falling to the ground himself. Cob’s face went slack. Graham, Shep, and Jake made wordless, startled sounds and moved away, raising their hands to their faces. Carter took a step backward that was almost like a nervous twitch. Silence filled the room like a cold sweat.
The innkeeper frowned. “They can’t have made it this far west yet,” he said softly.
If not for the silence, it is unlikely anyone would have heard him. But they did. Their eyes pulled away from the thing on the table to stare mutely at the red-haired man.
Jake found his voice first. “You know what this is?”
The innkeeper’s eyes were distant. “Scrael,” he said distractedly. “I’d thought the mountains—”
“Scrael?” Jake broke in. “Blackened body of God, Kote. You’ve seen these things before?”
“What?” The red-haired innkeeper looked up sharply, as if suddenly remembering where he was.
“Oh. No. No, of course not.” Seeing that he was the only one within arm’s length of the dark thing, he took a measured step away. “Just something I heard.” They stared at him. “Do you remember the trader that came through about two span ago?”
They all nodded. “Bastard tried to charge me ten pennies for a half-pound of salt,” Cob said reflexively, repeating the complaint for perhaps the hundredth time.
“Wish I’d bought some,” Jake mumbled. Graham nodded a silent agreement.
“He was a filthy shim,” Cob spat, seeming to find comfort in the familiar words. “I might pay two in a tight time, but ten is robbery.”
“Not if there are more of those on the road,” Shep said darkly.
All eyes went back to the thing on the table.
Product details
- Publisher : DAW; Reprint edition (April 7, 2009)
- Language : English
- Paperback : 672 pages
- ISBN-10 : 0756405890
- ISBN-13 : 978-0756405892
- Item Weight : 1.52 pounds
- Dimensions : 6 x 1.4 x 8.94 inches
- Best Sellers Rank: #3,964 in Books (See Top 100 in Books)
- #76 in Epic Fantasy (Books)
- #154 in Action & Adventure Fantasy (Books)
- #163 in Sword & Sorcery Fantasy (Books)
- Customer Reviews:
About the author

Patrick Rothfuss had the good fortune to be born in Wisconsin in 1973, where the long winters and lack of cable television encouraged a love of reading and writing.
After abandoning his chosen field of chemical engineering, Pat became an itinerant student, wandering through clinical psychology, philosophy, medieval history, theater, and sociology. Nine years later, Pat was forced by university policy to finally complete his undergraduate degree in English.
When not reading and writing, he teaches fencing and dabbles with alchemy in his basement.
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonCustomers say
Customers praise the book's storytelling and writing style, noting its sharp and clear descriptions and deft use of language. Moreover, the book features vibrant characters and a masterfully crafted world with a thought-through magic system. Customers find the book entertaining, with one review highlighting its immersive world-building. However, the pacing receives mixed reactions, with some finding it pleasant while others describe it as slow-paced.
AI-generated from the text of customer reviews
Customers praise the book's storytelling, describing it as a satisfying read in the fantasy genre with good plots.
"...Kvothe is almost so perfect (at first) that he's annoying; brilliant, clever (not exactly the same thing!),..." Read more
"...This is a really good book in the fantasy genre, I wanted to give it 4 or 4.5 stars because I felt it was too 'modern' in style compared to Tolkien..." Read more
"...with in depth character development and an intricate plot with many unsuspected twists...." Read more
"...would if he was telling his own story, so it's spot on and makes sense for the narrative!..." Read more
Customers praise the author's descriptive writing style, noting its sharp and clear descriptions and deft use of language.
"...And do yourself a favor, also check out the audiobooks are narrated by Nick Borel (I believe) &/or Mr. Rothfuss. Absolutely fantastic!!..." Read more
"...We were taken along in the story with sufficient attention to details and world-building, but not overlong and overdrawn descriptions of every..." Read more
"...Rothfuss' style is well read, though there are a few clumsy mistakes like repeating the same idea or the same phrase more than once in a paragraph...." Read more
"...Many parts I reread because of my admiration of the incredible sentence structure and the authors unreal gift of his command of the english language...." Read more
Customers find the book entertaining, describing it as engaging and fascinating, with one customer noting its immersive world-building.
"...But he's an easy character to root for and to love, The adventures are many, the other characters are memorable, and the story is very compelling...." Read more
"...This was a nice, interesting, easily-consumed story that never felt burdensome or like a slog through x number of pages to get to a "good"..." Read more
"...However... as Kvothe actually begins his story the book becomes insantly addicting. Somehow it seemed like a completely different book...." Read more
"...He is truly a brilliant writer that knows how to capture the readers attention with in depth character development and an intricate plot with many..." Read more
Customers appreciate the character development in the book, with one customer noting how character delineation occurs through action and interactions, and another highlighting the realistic portrayal of Kvothe.
"...But he's an easy character to root for and to love, The adventures are many, the other characters are memorable, and the story is very compelling...." Read more
"...'s life actually is very interesting and he develops to be a well thought out character, even if none of the secondary characters really do...." Read more
"...that knows how to capture the readers attention with in depth character development and an intricate plot with many unsuspected twists...." Read more
"...love the protagonist, but I still find myself rooting for him throughout the book, even cringing when he is hurt or embarrassed...." Read more
Customers praise the book's well-crafted world and intricate magic system, with one customer noting its beautiful details.
"...Kvothe is almost so perfect (at first) that he's annoying; brilliant, clever (not exactly the same thing!),..." Read more
"...This was a nice, interesting, easily-consumed story that never felt burdensome or like a slog through x number of pages to get to a "good"..." Read more
"...The magic system that is explained by his teacher is also clever and partially explained by science, so when it comes up later, it doesn't seem to..." Read more
"...The book was top notch. Wonderfully constructed...." Read more
Customers praise the book's world building, noting its complex and fleshed-out nature, with one customer highlighting the extensive thought that went into creating it.
"...taken along in the story with sufficient attention to details and world-building, but not overlong and overdrawn descriptions of every blade of grass..." Read more
"...system that is explained by his teacher is also clever and partially explained by science, so when it comes up later, it doesn't seem to be a Deus..." Read more
"...even for a brief moment, to escape your daily life and travel somewhere truly beautiful. Thank you, Patrick Rothfuss...." Read more
"...And this is his greatest motivation in life to excel, superseding his parents' deaths. Yep, that's what Rothfuss is going with...." Read more
Customers praise the book's wit, noting its nearly literary style and powerful poetic moments, with one customer highlighting its clever phrases and similes.
"...funny, adorable... but he's also complicated...." Read more
"...The dialogue had whit and was clever and even funny in parts...." Read more
"...He is a very talented writer, but he needs to toughen up and write." Read more
"...surprised how much you might enjoy it just for the sake of the beauty of the prose, but also by how much of it stays with you... the little snippets..." Read more
Customers have mixed opinions about the pacing of the book, with some finding it pleasant and the prose flowing beautifully, while others describe it as rather slow-paced and starting slowly.
"...No it's not perfect-- there are some repetitive bits, unnecessary scenes...." Read more
"...While the pace is generally slower, there will still be moments that have you on the edge of your seat, gasping for breath, wondering how Kvothe..." Read more
"...Wise Man's Fear", and my argument is that this first book is deeply average at best, embarrassing at worst, though I found it decently entertaining...." Read more
"...The prose flows beautifully, the descriptions are brilliantly evocative without being too verbose (most of the time), and the characters are real..." Read more
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Top reviews from the United States
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- Reviewed in the United States on October 25, 2024Patrick Rothfuss doesn't even need another glowing review - but I'll make one anyway. I was introduced to this book a few years ago and enjoyed the hell out of it. Kvothe is almost so perfect (at first) that he's annoying; brilliant, clever (not exactly the same thing!), funny, adorable... but he's also complicated. He can be a bit egotistical (which can get him into trouble) and a bit blind to other's true feelings (mostly only with Denna!) But he's an easy character to root for and to love, The adventures are many, the other characters are memorable, and the story is very compelling. Which leads me to a criticism that Mr.Rothfuss & his fans will find totally unsurprising: that while the author kindly gave us a compelling sequel (a Wind in the Door) and 2 small novellas (the Slow Regard of Silent Things & The Narrow Road Between Desires), he has *not* yet given us the last book of the trilogy: The Door of Stone. Mr. Rothfuss has said he is plagued by the compulsion to re-write & that the process has been & probably will be long. It's ok. (I won't say it doesn't suck, lol, but for someone THIS good? I can wait!) Also, bonus point to my review: because I long ago gave away my original smaller paperback to my son because I insisted he read it, I needed a new copy for my own bookshelf. Now that my daughter wants to read the book. And I really wanted the larger paperback., I know it's ridiculous, but I like those, paperbacks that while not large print/type, are just bigger/more substantial to hold in my hand! (Almost but not quite hardback-sized??) I actually scoured the dimensions in the descriptions until I thought I had chosen the right one and luckily for me, I did. So if you're looking for those larger copies, this is the addition that I got! And do yourself a favor, also check out the audiobooks are narrated by Nick Borel (I believe) &/or Mr. Rothfuss. Absolutely fantastic!! (And free if you borrow a copy from your local library!!!)
- Reviewed in the United States on June 3, 2013I read the reviews for this book, both good and bad, before purchasing it. I read it from cover to cover before sitting down to this review. This is a really good book in the fantasy genre, I wanted to give it 4 or 4.5 stars because I felt it was too 'modern' in style compared to Tolkien or even GRR Martin, then realized that it was my bias of the 'way things should be' and not the merit of the book I was reviewing. This book gets the full 5 stars with absolutely no reservations.
The main character Kvothe is the kid with untapped powers that Harry Potter made familiar but Potter wasn't original either. He's a combination of a genius, quick learner, musical prodigy, and hopelessly incompetent with girls. I know all the people reading this are international gigolos who have to chase off Playmates with a stick, but I related to the awkward kid with a first crush who wanted with every fiber of his being to talk to the girl he liked and couldn't find the right words in the thousands of hypothetical dry-runs that worked through his mind. That was definitely a humanizing touch for a kid that might have been much more inaccessible to a reader due to his overall excellence. There were some criticisms of Kvothe being too perfect, but early and often he fails to do things he should, does things he shouldn't, and suffers consequences for them all, both internal and external.
The writing style sets this book apart from the breathless action of pulp D&D style fantasy books, and for me seemed to be what I would describe as luxurious. We were taken along in the story with sufficient attention to details and world-building, but not overlong and overdrawn descriptions of every blade of grass, like a relaxing boat ride down a lazy river. Certain aspects, the history, the mode of magic in Kvothe's world, etc. got more attention but always added breadth and depth without overburdening the reader. Other times, Kvothe's life meandered down roads and pathways that didn't lead to the forging of a fantasy novel hero, just like real life. However, I was turning the pages every bit as fast as a pulse-pounding hack-and-slash story, but it was just to sink deeper into the world being woven around me. At least through the first book, it seems to have less world-building backstory than Game of Thrones, and wayyyy less than Tolkien, but I'm all the more glad for it. It's all fine and good to create your own syntax for elven, or dwarvish, or Klingon, but nobody's going to pretend that at 12 years old they knew what the hell Tolkien was talking about all the time. This was a nice, interesting, easily-consumed story that never felt burdensome or like a slog through x number of pages to get to a "good" part.
If I had to nit-pick this book, just to appear fair, I'll give you 3 nits. First, it would be that the author falls victim to the fantasy-trope belief that in order to portray 'foreign lands' and people from them, there has to be a bunch of unpronounceable consonants jammed together to form a person or place name, or fragments of a language, and throw in some unaccountable apostrophes for good measure. I could care less if I never have to skip over another nonsense name like Cthystler'rn in a fantasy novel again. There are a handful of these in this book, but they never really take center stage or leave you in the lurch for not trying to decipher that gibberish. Second, sometimes the young Kvothe is frustrating in his impotence when trying to express his love for his off-and-on girlfriend, and you really think he's a putz, but his obliviousness never strays outside the realm of the believeable. Third, and possibly the most troubling (but not to me) is that by the end of the book you've done a lot and been on a lot of adventures, but nothing has really brought you noticeably closer to the overarching mystery that is the reason for the story in the first place. The lore of the Chandrian is doled out in such tiny morsels you really don't know much more at the end than you did at the start. In this aspect it definitely reads like the first book of a trilogy, but at 750 something pages it had plenty of heft and there's no way they could have trimmed it down without losing the charm and the luxury that I liked so much in the first place. Make of that what you will.
I held out on ordering the second book in the trilogy due to some of the negative reviews, I'll have to grudgingly call them 'haters', that indicated that The Name of the Wind starts losing focus partway, or midway, or most-way through, but I didn't see that to be true at all. It was really a delightful read all the way through, and I wish I had more time to read more of it at each sitting. I did indeed order the second book in plenty of time for it to be here waiting for me, and I am anxious to get started on it asap.
Bottom line: A definite 5 star book with a nice story in a world you won't mind soaking into for a while.
Top reviews from other countries
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SelmaReviewed in Brazil on September 9, 2019
5.0 out of 5 stars Inteligente - surpreendente - envolvente!
Cheguei ao primeiro livro de Kingkiller Chronicle totalmente por acaso e me apaixonei imediatamente! Tanto que comprei o segundo livro antes mesmo de terminar o primeiro. A narrativa é envolvente e desenvolvida de maneira muito inteligente (um grande diferencial), com inúmeros pontos de contato com outros universos fantásticos consagrados, especialmente Lord of the Rings e Eragon. Chama a atenção o fato de não haver passagens repletas de sexo e sangue (como infelizmente parece ser a tendência atual nas obras do gênero), e de elas realmente não fazerem falta nenhuma para manter a tensão da história. Infelizmente, isso parece ter desagradado aos fãs e/ou à editora, pois o segundo livro já tem tais passagens - a meu ver, inúteis em quase a sua totalidade. Mas isso é assunto para outro comentário...
Recomendo a série para todos os fãs do gênero que se interessam por personagens bem construídos e narrativas inteligentes e envolventes, com muitas surpresas e desenvolvimentos inesperados!
- suraj ingaleReviewed in India on May 18, 2016
5.0 out of 5 stars the best book i have ever read
Lately if you go to goodreads and look for this books, you will find many people are giving it 1 star rating. if you read their review one thing is clear i.e. it is not they did not like the book but it is that they are impatient for 3rd book to be released and out of that impatience and as means of exacting a revenge on patrick for not releasing 3rd book sooner they are giving 1 star. BTW these books are with the highest rating books on the goodreads.
I have read LOTR, ASOIAF, HP, Mistborn and farseer,ember in the ashes, gentelmen basterds trilogy as well as a lot of non fantasy literature. but this TKC is something else altogether, it is genre defining. it is compared to ASOIAF as a next big like Game of Thrones and I think they are justified in making such claims. I can go further and even say at times it outwits ASOIAF too. This is story of legend and told by legend. Patrick succeeded in beautiful weaving of words, phrases sentences aphorisms and axioms. prose is is the biggest selling point of the book. sometimes it feels like poetry, the demarcation between prose and poetry are blurred by patrick. at a times you'd wonder yourself how can a person can come up with such a marvelous prose. These books are such big leap of human imagination, only a prodigy can come up with this masterful harmony of words.
The story, the world, world building, history of the world, its culture, art, economy, its classes, and most important it's magic are captured in detail. Even though Patrick is not a musician yet he created the musician in a book in such way that you really get the feel of music being played, you get the notion that you are really listening to music, the way he plays with words is phenomenal, he captures moments,scenes and take them to different level.
There are few books that I like to read again and again. Since purchase of these books in august 2015, I have already read them twice and will read again and again until 3rd book comes out. To those epic fantasy as well as non fantasy lovers, who wish to read good prose and story, this is the book, just close your eyes and hit the order button, and start devouring once you get it and then next one. I guarantee you will not be disappointed. There comes a time in each persons life which drastically change them, this is one such series which can potentially change how person take literature. It made me want to think about writing. Eschew all negative comment mongerer and go for it. These are the books worth investing your time for....
- Joel RasmussenReviewed in Australia on March 12, 2025
5.0 out of 5 stars Brilliant
I loved this book, the poetic language makes it nigh impossible to put down. Found myself unexpectedly moved through this book and very unwilling to put it down
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ArthegarnReviewed in Spain on December 3, 2012
5.0 out of 5 stars Verdaderamente bueno.
Todo aquel que lo había leído me lo había recomendado mucho y finalmente decidí meterme con él para descansar un poco del último libraco de la especie “qué libros más raros lees” que me estaba metiendo entre frontal y occipital, y la verdad es que la primera lectura, en español, me gustó mucho. Narra a la historia de un cronista que escribe la historia de un tendero que cuenta la historia de un mago, y va alternando con astucia y brevedad entre los tres niveles como recurso para mantener el ritmo narrativo. De hecho, el propio nombre del protagonista, Kvothe, es un juego de palabras respecto a esta técnica narrativa, ya que se pronuncia, en inglés (idioma original) exactamente igual que “citar” o “cita” (quote). El universo que describe me recuerda mucho al de Terramar, aunque el estilo sea más directo y moderno que el de Ursula K. Le Guin; y la historia es atractiva, quizá un poco “culebronesca”, pero no todo va a ser Umberto Eco. Bastante recomendable, la verdad; no es Canción de Hielo y Fuego ni la saga Vorkosigan pero por ahí anda. Un buen libro para regalar con el que es muy difícil equivocarse.
Hay que decir que unos meses después, tras comprarme The Wise Man’s Fear (no pude esperar a la traducción en español así que debió gustarme bastante más de lo que mi primera crítica dejó entrever) me lo compré en inglés y me lo releí. Es bastante mejor en el irioma original, hay muchísimos juegos de palabras y connotaciones que se te escapan cuando lo lees en castellano, y lo recomiendo mucho a quien pueda con él. Y recomiendo a quienes se lean El Temor de un Hombre Sabio que luego relean El Nombre del Viento. Te das cuenta de muchos detalles que probablemente se te pasaran en la primera lectura, como cual es el temor de un hombre sabio (pista: lo dice cuando le pillan con una vela en la biblioteca), ciertos detalles sobre los Chandrian sobre los Lackless (pista: la canción que canta cuando es niño y no se da cuenta de de qué va hasta que le pilla su madre) y algún otro más que no voy a contar aquí. Gana con la relectura, que recomiendo, y como ya he dicho es bastante mejor en inglés aunque la traducción sea buena.
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Alp ArslanReviewed in Turkey on April 25, 2024
1.0 out of 5 stars Kitabın kapağı çok hassas
Tırnaklarınız dokunduğu anda boyası çıkıyor, ne kadar kalitesiz bir malzemeyle yapılmış haddi hesabı yok